{"id":227,"date":"2016-04-27T12:23:12","date_gmt":"2016-04-27T12:23:12","guid":{"rendered":"http:\/\/www.periciadocumental.es\/?p=227"},"modified":"2016-05-22T15:01:03","modified_gmt":"2016-05-22T15:01:03","slug":"strobist-neewer-fc-16","status":"publish","type":"post","link":"https:\/\/www.periciadocumental.es\/index.php\/2016\/04\/27\/strobist-neewer-fc-16\/","title":{"rendered":"Strobist:  Neewer FC-16"},"content":{"rendered":"<h4><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-228 aligncenter\" src=\"http:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-strobist-2.jpg\" alt=\"Neewer FC16\" width=\"800\" height=\"606\" srcset=\"https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-strobist-2.jpg 800w, https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-strobist-2-300x227.jpg 300w, https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-strobist-2-768x582.jpg 768w, https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-strobist-2-462x350.jpg 462w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/h4>\n<h4><strong>Ya me hab\u00edan comentado que tarde o temprano\u00a0 adquirir\u00eda unos disparadores inal\u00e1mbricos de flash externo. Y al final ha sido as\u00ed. Yo uso m\u00e1s la luz continua en mis trabajos documentales, sobre todo el LED con un CRI de noventa o m\u00e1s y luces hal\u00f3genas o flash de apoyo, pero \u00faltimamente estuve trabajando con un fot\u00f3grafo que usaba los\u00a0 flashes externos\u00a0 con gran maestr\u00eda, as\u00ed que decid\u00ed darle\u00a0 una nueva oportunidad a este tipo de luz.\u00a0 Y, bueno, si empiezas a trastear con estos equipos tarde o temprano necesitar\u00e1s un disparador remoto. De lo contrario no podr\u00e1s jugar con posiciones o \u00e1ngulos de incidencia de la luz de forma adecuada. Entramos en esto que se ha denominado como <em>Strobist<\/em>.<br \/>\n<\/strong><\/h4>\n<p>La primera pregunta era, \u00bfnecesitas TTL o no con estos instrumentos? Bueno, llamadme un tipo extra\u00f1o, pero yo acostumbro a trabajar en manual con los flashes. S\u00ed, ya s\u00e9 que la primera instant\u00e1nea es una loter\u00eda, \u00bfy? Me da lo mismo, corrijo y vuelvo a disparar.\u00a0 No pasa nada. El TTL es muy \u00fatil, cierto, pero cada uno funciona con sus rarezas. Una vez que conoces tu equipo, ajustas los par\u00e1metros de forma casi inconsciente. Bien, primera cuesti\u00f3n respondida, en manual. Si alguien desea un aparato de estos con TTL tiene los Phottix Strato II, con funci\u00f3n TTL por unos 40 \u20ac. Los Neewer FC-16 que yo presento aqu\u00ed salen por unos 20-22 \u20ac, y transmiten la se\u00f1al de disparo, y poco m\u00e1s. Se parecen mucho a los <span id=\"productTitle\" class=\"a-size-large\">Yongnuo RF-603II\/N3, pero no s\u00e9 qui\u00e9n copia a qui\u00e9n. No obstante, adolecen del mismo problema que \u00e9stos: el interruptor es muy suave y los puedes dejar encendidos sin darte cuenta, con lo cual se agotan las pilas\/bater\u00edas. De hecho, al sacar estas fotos me he percatado de que uno se encontraba en espera, as\u00ed que se han agotado las bater\u00edas AAA. Se ponen a cargar y ya est\u00e1, pero si te coge por ah\u00ed, te ha fastidiado la jornada. En circunstancias normales, duran mucho sin necesitar recarga y casi te olvidas de que llevan pilas. Las AAA de NiMH que uso son de 750 mAh.<br \/>\n<\/span><\/p>\n<p>Bueno, estos Neewer vienen con ajuste de canales, as\u00ed que no habr\u00e1 interferencias entre equipos adyacentes. Cambias el canal y listo. Si deseas usarlos para disparar un flash externo, configuras los dos botones en flash y esperas unos segundos a que enlacen. Este modelo\u00a0 tambi\u00e9n vienen con la opci\u00f3n de mando a distancia para la c\u00e1mara. Insertas un cable USB y pones los interruptores en Camera Delay y disparas de forma remota. Bastante sencillo. En la Nikon 3300 funciona a la primera sin hacer nada. Lo reconoce. Para fotograf\u00eda nocturna es una gran\u00a0 ayuda para evitar trepidaciones. Los Neewer FC-16 est\u00e1n en versi\u00f3n para Nikon y Canon. Los m\u00edos son Nikon, pero ven\u00edan con el juego de cables para Canon tambi\u00e9n, as\u00ed que supongo que la diferencia ser\u00e1 el software interno. Como anotaci\u00f3n, en mi otra c\u00e1mara, una Lumix DMC-FZ300, tambi\u00e9n funcionan, pero en esta ocasi\u00f3n el disparador remoto es inefectivo.<\/p>\n<figure id=\"attachment_231\" aria-describedby=\"caption-attachment-231\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-231\" src=\"http:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-Strobist.jpg\" alt=\"Interruptor del Neewer FC-16\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-Strobist.jpg 800w, https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-Strobist-300x225.jpg 300w, https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-Strobist-768x576.jpg 768w, https:\/\/www.periciadocumental.es\/wp-content\/uploads\/2016\/04\/Neewer-Strobist-467x350.jpg 467w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-231\" class=\"wp-caption-text\">Interruptor del Neewer FC-16<\/figcaption><\/figure>\n<p>El pl\u00e1stico de la carcasa, sin ser de una calidad asombrosa, se ve bien terminado y con buen tacto. Y lo m\u00e1s importante, son robustos, porque puedes trabajar con ellos y un flash encima de la c\u00e1mara y no parece que vayan a quebrarse como un bamb\u00fa seco.<\/p>\n<p>Resumiendo, si no te quieres gastar mucho, estos son tus disparadores remotos. Son chinos y baratos, pero funcionan bien. Hasta ahora ninguna queja.<\/p>\n<p>Saludos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ya me hab\u00edan comentado que tarde o temprano\u00a0 adquirir\u00eda unos disparadores inal\u00e1mbricos de flash externo. Y al final ha sido as\u00ed. Yo uso m\u00e1s la luz continua en mis trabajos documentales, sobre todo el LED con un CRI de noventa o m\u00e1s y luces hal\u00f3genas o flash de apoyo, pero&#8230;<\/p>\n","protected":false},"author":1,"featured_media":228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[19,17,20,18,22],"class_list":["post-227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-prueba-de-uso","tag-divulgacion","tag-flash-externo","tag-fotografia","tag-prueba-de-uso","tag-strobist"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Strobist: Neewer FC-16 - Pericia Documental<\/title>\n<meta name=\"description\" content=\"Disparador inal\u00e1mbrico de flash externo para c\u00e1mara Neewer FC-16. 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